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Take Me Away

One of the most satisfying (or least, depending on who and when you ask) aspect of listening to an artist is discovering how that artist sounds live in concert. The instrumentation, the lighting, the changes in the songs all brought out for live performances can usually significantly change the experience. But concert tickets are expensive, bands tour, but usually in limited locations and venues (or for folks living in places like Idaho, maybe never and nowhere), and even in an amphitheater, there’s a certain feeling of disconnect from the band. In conjunction with this is the fact that it usually takes some sort of “unplugged” event to get an artist who would normally not be, to go acoustic. Mathieu Saura, a 27 year old from Paris who goes by the name Vincent Moon, has found the solution.

Fueled by passion for music and cinema, Saura launched Take-Away shows in 2006. A collection of now over 80 music videos, created by musicians, featuring them playing a song in a stripped down, improvised version as they walk through public places and streets, the Takeaway shows are now experiencing a wealth of attention from the media, including CNN. Saura has managed to mix the music video form with the internationalist appeal of music to bring artists from all over the world and all different musical styles together. These impromptu videos, taken usually around the band’s hometown or in the streets of Paris, offer a very real and low-tech look at a variety of artists, and provide a very different backdrop for the songs usually associated with CDs and radio airplay.

Furthermore, Saura doesn’t feel the need to upgrade to a high-tech feel because of the equipment initially available on the launch of the venture, and his desire to keep the product consistent and authentic. The variety of artists is astounding, featuring Arcade Fire, my long time favorite Elysian Fields, and previous Evolving Music blog subjects Beirut (“Beirut. The City. The Game. The Band.” 10/8/07), Vampire Weekend (“When Vampire Strikes,” 2/8/08) and, so we’re told through the grapevine, soon to be included is Crystal Springs Uplands alum Scott Reitherman and Throw Me the Statue (“Throw Me That Home Coming,” 11/8/07) in honor of their re-released Moonbeams album from Secretly Canadian

Whether you’re looking for some new music, or just a new way to look at music you know, the Take-away shows offer you a chance to see both artists you love and artists you’ve never heard of in new acoustic and public ways. The personal and intimate feeling these videos elicit, combined with the diversity and travelogue aspect of the settings creates a musical experience with the power to transport the listener to places further than the radio singles ever could. And all of it, from the blogs, to the emerging artists, to the new interpretations and portrayals of music, falls perfectly into the growing universe that is MixMatchMusic.

Throw Me the Statue @ Bimbo's 365

Bimbo’s Marquee

Friday night, Throw Me the Statue (aka Scott Reitherman) descended on Bimbo’s in the city to hype his new album Moonbeams and visit with the hometown folks on his way to the Troubadour in Los Angeles. Because of the nature of the concert, it was packed with the high school crowd.

I was excited to hear how the album songs translated to concert, knowing that Scott wasn’t bringing some of the session musicians brought on for the CD. With Aaron Goldman and two others, the four man set did a remarkable job of turning out the songs, often in ways that brought more energy to both the venue and the sound.

Despite the fact that it felt like a concert in high school, complete with Gavroche heckling Scott from the crowd, it was an impressive set in a great venue. For those that haven’t been to Bimbo’s, you should get out there if a band you’re even remotely interested in is playing. It’s spacious enough to provide comfort for everyone, and at the same time small and intimate enough that it feels almost like a coffee shop show of sorts.

While I don’t remember the set-list order, they came out and started “Written in Heart Signs, Faintly.” From there, they played “Lolita,” “Groundswells,” “Yucatan Gold” (which they made very cool by passing out shakers to the crowd and asking them to assist with percussion,) “Young Sensualists,” which was amped up with a strong amount of tempo and energy not found on the album version, and “About to Walk.” “Young Sensualists” surprised me the most…as the album opener, it’s a very nice song, albeit slightly lower on energy. In concert, the song found new life and was right up there with “Groundswells” and “Yucatan Gold” for me in terms of enjoyment.

What was most interesting to see was the transformation of one of our friends from a high school/gig musician to an actual rock band on stage. They fit perfectly into the crowd and the venue, looking well rehearsed, and easily poking fun at their own mistakes (“sometimes we like to test the patience of the audience by playing wrong notes. You guys are still here!”). What I didn’t expect was how easily, once off the stage, Scott went right back to being Scott. There were no handshakes or hellos in the lobby that felt forced. Scott was still Scott, and still genuinely glad that people came out and enjoyed his music. It didn’t feel like he was in the band and we were fans. It felt like he had just got done doing something and we were back at a party from high school or college. His parents came out as well. Mainly, everyone had a great time.Gavroche and Scott @ Bimbo’sActual and Scott @ Bimbo’s

Scott certainly appears to have the right mix of crowd sensibility and notions of grandeur, while keeping a grounding that should keep him close to his closest friends and supporters. It makes for an interesting mix in a rock group, and one that will be interesting to chart as he gains a larger following (which will happen…they heard “Lolita” on KCRW in a cab ride home in Los Angeles following the Troubadour show).